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The psychological use or functions of music and how these might be correlated with personality.
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<blockquote data-quote="Air" data-source="post: 1139334" data-attributes="member: 15182"><p>The first piece was published in 2013 by <a href="http://www.frontiersin.org/Community/WhosWhoActivity.aspx?sname=ThomasSch%C3%A4fer&UID=86339" target="_blank">Thomas Schäfer</a>, <a href="http://community.frontiersin.org/people/PeterSedlmeier/104448" target="_blank">Peter Sedlmeier</a>, Christine Städtler and David Huron. Schafer and Sedlmeier worked at The Department of Psychology, Chemnitz University of Technology, Chemnitz, Germany and Huran at the School of Music, Cognitive and Systematic Musicology Laboratory, Ohio State University, Columbus, OH, USA.</p><p></p><p>After a comprehensive review of the theory, from an evolutionary, experimental aesthetics, a theoretical stance of the functions, as well as empirical studies, they conducted their research with an N 834. In the results of this study, in which cluster analysis was employed to make sense of the data, 3 clusters of psychological use of music were identified based on a starting point of 127 distinctive reasons why we listen to music.</p><ol> <li data-xf-list-type="ol">Arousal and emotional regulation</li> <li data-xf-list-type="ol">Self-awareness and</li> <li data-xf-list-type="ol">Social relatedness.</li> </ol><p>In essence an emotional, cognitive and social cluster. As I have said, not rocket science, but that is how real science work, small bits at a time. This opens the door to ask the next question of whether certain personality types have a preference for certain music uses and even how this perhaps can build up in a model of how we approach our preferences in gear.</p><p></p><p>I keep it intentionally short, and here is the link with all the detail.</p><p></p><p>[URL unfurl="true"]https://www.frontiersin.org/articles/10.3389/fpsyg.2013.00511/full[/URL]</p></blockquote><p></p>
[QUOTE="Air, post: 1139334, member: 15182"] The first piece was published in 2013 by [URL='http://www.frontiersin.org/Community/WhosWhoActivity.aspx?sname=ThomasSch%C3%A4fer&UID=86339']Thomas Schäfer[/URL], [URL='http://community.frontiersin.org/people/PeterSedlmeier/104448']Peter Sedlmeier[/URL], Christine Städtler and David Huron. Schafer and Sedlmeier worked at The Department of Psychology, Chemnitz University of Technology, Chemnitz, Germany and Huran at the School of Music, Cognitive and Systematic Musicology Laboratory, Ohio State University, Columbus, OH, USA. After a comprehensive review of the theory, from an evolutionary, experimental aesthetics, a theoretical stance of the functions, as well as empirical studies, they conducted their research with an N 834. In the results of this study, in which cluster analysis was employed to make sense of the data, 3 clusters of psychological use of music were identified based on a starting point of 127 distinctive reasons why we listen to music. [LIST=1] [*]Arousal and emotional regulation [*]Self-awareness and [*]Social relatedness. [/LIST] In essence an emotional, cognitive and social cluster. As I have said, not rocket science, but that is how real science work, small bits at a time. This opens the door to ask the next question of whether certain personality types have a preference for certain music uses and even how this perhaps can build up in a model of how we approach our preferences in gear. I keep it intentionally short, and here is the link with all the detail. [URL unfurl="true"]https://www.frontiersin.org/articles/10.3389/fpsyg.2013.00511/full[/URL] [/QUOTE]
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Audio and Video Talk
General Discussion
The psychological use or functions of music and how these might be correlated with personality.
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