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Regarding "Specs/Tests To Determine Sonic Differences" I found the following interesting: For loudspeakers - the work of Dr. Floyd Toole and Dr. Sean Olive. For perception of nonlinear distortion - the work of Dr. Earl Geddes or more specifically the GedLee metric...

Thank you for posting this. I'm looking forward to trying it.

Thank you for your impressions thus far. I look forward to reading the rest. Your close-up photographs are a tease. Please share more photos of the full amp and accompanying setup, over time, if you can.

If their products called bass traps are made of foam too they won't have a useful absorption coefficient at low frequencies. Instead of foam I would rather install a product that uses rigid fibreboard. If you are in Johannesburg you can contact Oxland Acoustics or Benjamin Pro Audio.

Thank you for sharing this build. I wasn't aware of the existence of this design prior to your thread. It is an interesting one and yours looks good. Have you applied a finish to the enclosure yet? Have you decided to keep using yours directly on the carpet or have you added a piece of wood on...

Okay. I hope it can be saved too. Please update us when you do take it to them. I have been considering replacing my cheap digital multimeters with Fluke products and it would be interesting to know what the quality of local support is before I make the purchase.

Did you finish these plinths Zilch? I am curious to know which inserts you chose to use in the plywood and how they worked. It would also be good to see a photograph of your TQWT loudspeakers on the plinths.

Did you have your subwoofer refinished Mushroom? If so, who did the work for you?

Could you source the above products that you were looking for? If so, from which business did you purchase them?

Did you get your Fluke fixed MusicMan_ZA? I am curious to know whether the Fluke lifetime guarantee mygoggie suspects Fluke products have meant that the Fluke agents repaired it free of charge.

Those speakers look impressive. Congratulations. Please share some listening impressions when you have been able to listen to them more.

Thank you MusicMan_ZA. They do look good in the photos. Applying an excellent finish is a skill. One that I wish to acquire too.

This is a good thread. Thank you MusicMan_ZA for posting about the process you went through and thank you to handsome for informative posts along the way. It was educational for me to read. The final finish looks good. Can you give more detail on what your finishing process was and what...

Which loudspeakers will you be using them with?

They look beautiful. That is a job well done. Thank you for sharing information about your crossover development process. Do you have a schematic diagram of the final crossover filter? What is a Palladium?

That will make for an interesting experiment. Please keep us updated on how that goes. I would also try the AD12100 by themselves in the Berkeley cabinets. It could be that they sound better than the combination of the AD9710 and AD12100.

In my opinion presence refers to the high mid region (around 4kHz, the most sensitive part of our hearing according to the Fletcher Munson curves) and air refers to 10kHz and higher.

I enjoyed reading this build thread. It's a pity that all the photos aren't available anymore, but thank you for reposting the one showing the completed build Curlycat. Have you tried them with a SET 2A3 amplifier yet? Are you going to build a pair of these too Deon?

There are a few interesting designs there. The following design (Bill S's (Billet) OB106 theme speakers) may be within reach for local builders as there are a few local resellers of Eminence. I've never seen the below Eton woofer. It looks well engineered. I presume the ribs on the...

Thank you for the heads-ip. I got excited when I saw this, but unfortunately they only have one DE250 in stock.