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The Diablo 120: Gryphons smallest integrated reviewed by SoundStage Australia
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<blockquote data-quote="Andre Vermeulen" data-source="post: 848431" data-attributes="member: 2569"><p>Can we sit back and allow this weirdness to go unchecked?</p><p></p><p>"Going back into the not too distant past, it used to be that the tonal/timbrel and harmonic qualities of acoustic instruments, done right, were the exclusive domain of good valve amplification. Solid state amplifiers gave you control, punch and dynamics but, barring pure Class-A designs, were thought to congest complex music while bestowing a subtle, yet potentially obtrusive, brilliance to timbres of traditional instruments. This is no more, my friends."</p></blockquote><p></p>
[QUOTE="Andre Vermeulen, post: 848431, member: 2569"] Can we sit back and allow this weirdness to go unchecked? "Going back into the not too distant past, it used to be that the tonal/timbrel and harmonic qualities of acoustic instruments, done right, were the exclusive domain of good valve amplification. Solid state amplifiers gave you control, punch and dynamics but, barring pure Class-A designs, were thought to congest complex music while bestowing a subtle, yet potentially obtrusive, brilliance to timbres of traditional instruments. This is no more, my friends." [/QUOTE]
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Commercial Members
Commercial Members - News & Discussion
The Diablo 120: Gryphons smallest integrated reviewed by SoundStage Australia
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