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Something every audiophile needs to watch (classical recordings)
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<blockquote data-quote="user 997" data-source="post: 1061203" data-attributes="member: 997"><p>I got exactly the same here. And I played piano for a good 6 years, but still got that one wrong! Thanks to Shonver for sharing, that was a very enjoyable watch, I had no idea that much editing was taking place.</p><p></p><p>I have actually been thinking about this for a while since I subscribed to the CPO Autumn symphony series and really enjoyed some of the recorded live performances there, but when I tried to find good recordings of those symphonies it was actually a real challenge. None of the recordings really moved as much as those live recorded performances did. I find this a bit of a recurring theme I have been wondering about why that might be the case, maybe whether it is generally just a case of expectation bias or whether something is going awry with how classical performances are recorded and now maybe actually the editing?</p></blockquote><p></p>
[QUOTE="user 997, post: 1061203, member: 997"] I got exactly the same here. And I played piano for a good 6 years, but still got that one wrong! Thanks to Shonver for sharing, that was a very enjoyable watch, I had no idea that much editing was taking place. I have actually been thinking about this for a while since I subscribed to the CPO Autumn symphony series and really enjoyed some of the recorded live performances there, but when I tried to find good recordings of those symphonies it was actually a real challenge. None of the recordings really moved as much as those live recorded performances did. I find this a bit of a recurring theme I have been wondering about why that might be the case, maybe whether it is generally just a case of expectation bias or whether something is going awry with how classical performances are recorded and now maybe actually the editing? [/QUOTE]
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Something every audiophile needs to watch (classical recordings)
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