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Audio and Video Talk
Reel-to-Reel & Cassette Tapes
My Stuff
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<blockquote data-quote="Agaton Sax" data-source="post: 848019" data-attributes="member: 2475"><p>HF. Merely a pot to adjust high frequencies. Most recorders have controls to align for flat replay response. Usually operational at 100Hz and 10 kHz. Used with an alignment tape. The standard Eros has a set output so we added a hf control. So much for those who abhor tone controls.</p><p></p><p>The Mark Levinson ML5 was a Studer A80RC with audio record and playback electronics by Mark Levinson. There was also an option to have the cables from the heads to audio electronics replaced with silver ML leads. Heads were specified by ML but were still standard Studer.</p><p></p><p>Tapewidth and tracks. In general the more magnetic area available to signal the better the performance. The faster a tape runs the more area is available for any given signal. Likewise the wider the tape the more area available. So 30 inches per second better than 3 etc. 1/2 track more area than 1/4 etc.</p></blockquote><p></p>
[QUOTE="Agaton Sax, post: 848019, member: 2475"] HF. Merely a pot to adjust high frequencies. Most recorders have controls to align for flat replay response. Usually operational at 100Hz and 10 kHz. Used with an alignment tape. The standard Eros has a set output so we added a hf control. So much for those who abhor tone controls. The Mark Levinson ML5 was a Studer A80RC with audio record and playback electronics by Mark Levinson. There was also an option to have the cables from the heads to audio electronics replaced with silver ML leads. Heads were specified by ML but were still standard Studer. Tapewidth and tracks. In general the more magnetic area available to signal the better the performance. The faster a tape runs the more area is available for any given signal. Likewise the wider the tape the more area available. So 30 inches per second better than 3 etc. 1/2 track more area than 1/4 etc. [/QUOTE]
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Audio and Video Talk
Reel-to-Reel & Cassette Tapes
My Stuff
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