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DIY & Tutorials
DIY For Audio
15" driver for Dipole sub
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<blockquote data-quote="Timber_MG" data-source="post: 9148" data-attributes="member: 18"><p>I have run out of 15dB shelves and seen high power amps clip into an open baffles EQed to go low so quick it is scarry. Sometimes you think the drivers want to land on your lap if you forget to add a dynamic filter in the DCX, but fortunately pro-sound drivers survive such treatment more readily.</p><p></p><p>I quite like some shelving parametric EQ to adjust to the music I am listening to. POP often gets a 1kHz -3dB(or more) 6dB/oct transition shelf.</p><p></p><p>I like bass, but hugely prefer neutral bass, not overbearing but also not absent till you crank it and not the kind that is limited by system limits, compression and wind-noise. In larger pro-sound setups you notice this kind of a setup when doing a sound-check on a well-miced bass-drum and snare. When it is set up right all of a sudden the bass doesn't require a crazy HF boost to be audible in complex passages anymore.</p></blockquote><p></p>
[QUOTE="Timber_MG, post: 9148, member: 18"] I have run out of 15dB shelves and seen high power amps clip into an open baffles EQed to go low so quick it is scarry. Sometimes you think the drivers want to land on your lap if you forget to add a dynamic filter in the DCX, but fortunately pro-sound drivers survive such treatment more readily. I quite like some shelving parametric EQ to adjust to the music I am listening to. POP often gets a 1kHz -3dB(or more) 6dB/oct transition shelf. I like bass, but hugely prefer neutral bass, not overbearing but also not absent till you crank it and not the kind that is limited by system limits, compression and wind-noise. In larger pro-sound setups you notice this kind of a setup when doing a sound-check on a well-miced bass-drum and snare. When it is set up right all of a sudden the bass doesn't require a crazy HF boost to be audible in complex passages anymore. [/QUOTE]
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DIY & Tutorials
DIY For Audio
15" driver for Dipole sub
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